- #Recording mixing and mastering software reviews generator#
- #Recording mixing and mastering software reviews full#
If you are on a tight budget,you probably can't afford speakers good enough to master properly with. I feel that listening to stuff that you want it to sound like and using the spectrum analizer could be the best start. This doesn't help you master in any way and it may confuse you a bit.you may ask yourself "what do i do if i have a huge spike or no bottom under 100hz?" but it will let you know if you have a fighting chance with what you have. this is a rough indication of your speakers and your room if there's something that is totally jumping out, or completely missing you'll know it. use the default of tone generation 20hz to 20khz or whatever it is, create the wave, play it.Īs it runs through the frequencies, you'll hear the spikes as it climbs.
#Recording mixing and mastering software reviews generator#
*That* is when you spend money on gear.Ī basic way of feeling out your speakers is use the audio generator in the tools section of wavelab.
#Recording mixing and mastering software reviews full#
At some point, you will reach the full potential of the gear you have, and it will start to piss you off. The absolute, most important, critical thing you could possibly have is knowledge and experience. If it's not, then pay someone to do one song really well, and spend a few weeks with the tools you have trying to get the other ones to match it. Until then, do a few things as far as mastering is concerned. Then, spend a few months finding the set of speakers in your budget that fits you the best, buy them, and never worry about it again. Then lay out a plan for the room, and make the room better and better until it's good enough that you can't stand your speakers. So, if you understand your speakers pretty well, and you have not spent a lot of time and effort on the room, then I think the best investment you could possibly make would be a few months or a year learning about the basics of acoustics. Then there's kind of a hole, and you get into speakers that are really worth using for good mastering, starting in the $5K range.īut back to the good room- in a pinch, I would MUCH rather have my $400 combination of NHT Super Ones and an Adcom 535 (currently doing house duty) in a really neutral, easy to work in room, than my Questeds in a crappy one. Given a good room (and that is taking a shitload for granted), there's this sort of 'worth upgrading plateau' up around $1K-1200 that includes the Mackies, the Haflers, the JBL's, and some other choices. Keep in mind that I am on a tight budget.I'm not sure it makes sense to trade in some speakers that you probably know fairly well for some speakers that you *don't* know very well, if you're talking about spending a few hundred bucks. What types of monitors would you recommend? I would prefer powered monitors. but there's really no easy way for me to tell how much my speakers are coloring the sound. I have tried to make my sound setup as un colored as possible. I am just using my home stereo speakers right now.
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